Should you script your speech?

by John Watkis on February 1, 2008

I promised, in a previous post, that I would address the issue of scripting your speech. With that in mind, here’s an introduction to the topic:

Should you or shouldn’t you script your speeches? The debate is almost as old as “the chicken or the egg?”. chicken or egg

There are some valid points on both sides of the debate … and I’ve been on both sides. Having been on both sides, I’ve come to the conclusion that the benefits and advantages of scripting your speech far outweigh the disadvantages. On the flip side, the disadvantages of not scripting your speech far outweigh any perceived advantages you might gain.

Here are the major arguments you’ll encounter as to why you shouldn’t script your speech:

  • scripted speeches don’t sound natural, spontaneous or sincere
  • reading a scripted speech prevents you from making eye contact with your audience

Not Sounding Natural

Many presenters who read from a script sound as if they’re reading an essay or an article from the daily paper. They speak in monotone voices and stumble across the unfamiliar words on the page like someone skating on ice for the very first time. To say the least, it’s not a pretty sight … but it doesn’t have to be this way.

The reason most presenters who read from a script sound as if they’re reading an essay is: they are! Speeches are not meant to be written the same way essays, articles or reports are written, but most of the people who write the speeches aren’t aware of the differences between writing for the ear (speeches) and writing for the eye (print). If they did understand the differences, the speeches would sound just as natural as any extemporaneous speech. So the problem isn’t that the speech is written, the problem is how the speech is written. Bush

When a presenter stumbles all over a written speech, you can rest assured that he or she hasn’t spent enough time — or any time — with the speech. And regardless of what the reasons may be for not reading and rereading the speech ahead of time, very few presenters can get away with trying to read a script for the first time while still sounding natural. If, however, the presenter gets familiar with the written text in advance, the delivery will sound far more relaxed and natural.

Eye Contact With the Audience

We’ve all witnessed the presenter who buries his head in the lectern like the proverbial ostrich buries its head in the sand (ostriches don’t actually do this … but I digress). Of course, if the presenter is reading the speech the entire time, he or she will not be able to make eye contact with the audience. And if the presenter isn’t making eye contact with the audience, he or she is not making a personal connection with them either.

ostrich

But scripting your speech doesn’t mean you have to lose all eye contact with your audience. If you familiarize yourself with the speech beforehand and occasionally look at the speech to keep you on track, you will have more than sufficient time to look at and connect with the audience. Using a teleprompter? Andrew Dlugan recently wrote a post about this. I also understand that Bert Decker teaches executives how to use a teleprompter.

It also helps to make the font larger (minimum 16pts) and to stop the text 3/4 of the way down the page. This way, your eyes won’t travel as far down the page and away from the audience.

Will it take some practice? Of course it will. But if you’re going to be delivering a speech, you’ll be practicing anyway. You will be practicing, won’t you?

I’ll follow up with the advantages of scripting your speech …

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{ 5 comments… read them below or add one }

Kerry February 3, 2008 at 2:12 pm

I suspect that most of those who don’t script their speeches have an outline structure (not necessarily written down) including the points they want to make. Personally, I prefer to have such a skeleton that I can talk to – it makes it feel more like a conversation to me. I find it works best if I also have prepared phrases for my key ideas – these are the bits that should roll easily off the tongue and stand in as motifs in the speech. If I have to consciously prepare them they usually don’t work – its best if they emerge from trying to explain the idea to others. The best ones are the ones that keep reemerging naturally in explanations. In a way, these conversations are like practicing the speech. If I had to give a speech on something that I hadn’t had that practice at explaining then I would definitely script to a higher level.

John Watkis February 4, 2008 at 5:55 pm

Hi Kerry,

Thanks again for your comments. I agree that you should have prepared phrases for key ideas and talk them out. That’s all part of the scripting process. The “conversations” you have with others can be done in solitude at your keyboard. I think of it as a musician writing a song … first they play the note, then write it down. Done correctly, that’s how you would script a speech. I still have a lot to add on the subject, so let me know what you think once I’ve posted the follow-up.

Kay Seamayer April 17, 2008 at 1:14 am

I really enjoyed what you had to say about scripting a speech..
…or not… I also think it’s a matter of what kind of speech one is
giving….. I give motivational speeches about living an active lifestyle
after 50..60…8=70 and beyond.. and the advantages.. and some of my
successes… It’s easy to just write an outline with subject matter..
to make sure I don’t get carried away and forget something really funny
or important I wanted to say… I think the passion of a presentation
means much more than being so exact.. thanks for reconfirming
what seems to work for me… I’m fairly new at this.. but am enjoying it.

get UP…getOUT…and get your MOVE ON…. living life after 50 with
passion, purpose and courage.. Kay Seamayer – Dallas, Texas
http://www.letfreedomringpublishing.com http://www.kayseamayer.com

Keith Davis December 19, 2009 at 7:54 am

Hi John
To script or not to script? That is the question.
I’ve heard it said lots of times, that if you script your speech… you will always be second rate, it will always sound false.
Problem is… most of us need that script just in case the mind goes blank!

Then my wife pointed out that if you go along to the theatre and watch actors perform Shakespeare, they sound natural and believeable and they are working from a word for word script – they have to because the audience know the play word for word.

Granted, we aren’t Shakespearian actors, but we can use the same principle. Work from a word for word script but make it sound natural, not like an essay. That’s the hard bit – writing a natural sounding speech..
Then practice so that you know the script well and can maintain eye contact.
But just in case… you have your script.

John Watkis December 19, 2009 at 10:51 am

Hi Keith,

Excellent points! I’ve been thinking about writing a post along the same lines, but you’ve put it in a wonderful context. I appreciate you taking the time to comment :-)

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